April, 1984. Winston Smith thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwell's fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwell's vision of the future is as relevant as ever.

Orestes' parents are at war. A family drama spanning several decades, a huge, moving, bloody saga, Aeschylus' greatest and final play asks whether justice can ever be done - and continues to resonate more than two millennia after it was written. Following Mr Burns and 1984, Almeida Associate Director Robert Icke radically reimagines Oresteia for the modern stage, in its first major London production in more than a decade. Lia Williams returns to the Almeida as Klytemnestra.

First, do no harm. How do we defend the "truth" when no one agrees what it is and many have reason to undermine it? Very freely adapting Professor Bernhardi by Arthur Schnitzler, Robert Icke's gripping moral thriller uses the lens of medical ethics to examine urgent questions of faith, belief, and scientific rationality. After a critically acclaimed run at London's Almeida Theatre, The Doctor transferred to the West End in September 2022. This revised and updated edition was published to coincide with the new production.

A murdered King. A usurped Prince. A promise of revenge. Returning to court to find his father murdered and his mother married to the murderer, Hamlet faces a terrible dilemma. This is Shakespeare's great tragedy of passion, corruption and revenge. Rob Icke's acclaimed adaptation of Shakespeare's most famous play originally ran at London's Almeida Theatre before transferring to the West End. This revised and updated edition was published to coincide with the run at New York's Park Armory in summer 2022.

Chekhov's late masterpiece examines human behaviour in all of its beautiful, terrible, laughable contradiction. Following his reimagining of Oresteia (Almeida / West End), Almeida Associate Director Robert Icke directs a new production of Chekhov's greatest play. Things your life could be: (1) a farce. (2) a tragedy. (3) pointless. (4) all of the above. Things you could do about it: (1) keep living. (2) stop living. (3) stop someone else living. (4) nothing. Even so, what has your life been worth?

Two queens. One in power. One in prison. It's all in the execution. Schiller's political tragedy takes us behind the scenes of British history's famous rivalry between Elizabeth I and Mary Queen of Scots. Written in verse and based on historical sources, Schiller's play imagines the queens' lives - one in court, the other in prison - surrounded by staff and servants. Their imagined meeting, before Mary's execution, is passionate and enthralling. Robert Icke's lean version condenses the action, cutting the cast to twelve, whilst retaining the play's symmetrical structure and tense atmosphere. In an exciting twist, the first production had two actors learn the roles of both queens, and their roles were decided at each performance by the toss of a coin. Adding a further duality to the play, this also allowed the first word of the evening to anticipate its ending:'Heads'.